Arts Archive

Film Review: Tamasha

āĻ…āύ⧇āĻ•āĻ•āĻŋāϛ⧁āχ āĻ­āĻžāϞ⧋ āĻ­āĻžāϞ⧋ āϜāĻŋāύāĻŋāϏ āφāϛ⧇, āĻŦāĻŋāĻļ⧇āώāϤ āĻ•āϰāϏāĻŋāĻ•āĻž - āϏāĻŋāĻŽāϞāĻžāϰ āĻĻ⧃āĻˇā§āϟāĻŋāύāĻ¨ā§āĻĻāύ āĻĒāϰāĻŋāĻŦ⧇āĻļ, āύāĻžā§ŸāĻ• -āύāĻžā§ŸāĻŋāĻ•āĻžāϰ āĻŽāύāĻ­ā§‹āϞāĻžāύ⧋ āĻ…āĻ­āĻŋāύ⧟, āϰāĻŦāĻŋ āĻŦāĻ°ā§āĻŽāϪ⧇āϰ āύāĻŋāρāϖ⧁āϤ āĻ•ā§āϝāĻžāĻŽā§‡āϰāĻžāϰ āĻ•āĻžāϜ āφāϰ āĻĻ⧁āĻŸā§‹ āĻļā§āϰ⧁āϤāĻŋāĻŽāϧ⧁āϰ āĻ—āĻžāύ,

Tagore’s First Love

Annapurna Turkhud came to Tagore’s life with a waft of youthful exuberance which created a flutter in the young poets’ heart. Krishna Kripalani in his

In Search of Pather Panchali’s Nischindipur at Boral Village

Boral Village near Garia township of Kolkata is where Satyajit Ray unfolded his Pather Panchali saga. Boral became the setting for Nischindipur, an idyllic

Film Review : Drishyam

āφāϜāĻ•āĻžāϞāĻ•āĻžāϰ social media āϜāĻŽāĻžāύāĻžā§Ÿ āφāĻŽāϰāĻž āĻāĻĒāĻžāĻāĻĒ selfie āϤ⧁āϞāĻŋ, āϕ⧋āĻĨāĻžāĻ“ āϘ⧁āϰāϤ⧇ āϗ⧇āϞ⧇ travelogue āύāĻž āϞāĻŋāϖ⧇ āĻĢ⧇āϏāĻŦ⧁āϕ⧇ āĻ…ā§āϝāĻžāϞāĻŦāĻžāĻŽ āĻŦāĻžāύāĻŋā§Ÿā§‡ āĻ›āĻŦāĻŋāϰ āύ⧀āĻšā§‡ āύ⧀āĻšā§‡ caption āĻĻāĻŋā§Ÿā§‡ āĻ­ā§āϰāĻŽāĻŖāĻŦ⧃āĻ¤ā§āϤāĻžāĻ¨ā§āϤ āϜāĻžāύāĻžāχāĨ¤

Film Review : Masaan

  āĻāϕ⧇āĻŦāĻžāϰ⧇āχ āĻ…āĻ¨ā§āϝ āϧāĻžāϰāĻžāϰ āϏāĻŋāύ⧇āĻŽāĻžāĨ¤ āĻŦāĻžāĻ¸ā§āϤāĻŦ āφāϰ āĻ•āĻ˛ā§āĻĒāύāĻž āĻŽāĻŋāĻļāĻŋā§Ÿā§‡ āĻĒ⧁āϰ⧋ ā§§ā§Ļ⧝ āĻŽāĻŋāύāĻŋāϟ āϧāϰ⧇ āĻāĻ—āĻŋā§Ÿā§‡ āϚāϞāĻž āĻ—āĻ˛ā§āĻĒ⧇ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻŋāϛ⧁ āϜāϟāĻŋāϞ āĻĒā§āϰāĻļā§āύ⧇āϰ āĻ…āĻ­āĻŋāύāĻŦ āϏ⧁āϰāĻžāĻšāĻž āĻĒā§‡ā§Ÿā§‡ āϝāĻžāĻŦ⧇āύ

Film Review: Dil Dhadakne Do

Dil Dhadakne Do Rating: 4/5 āϏāĻ¤ā§āϝāĻŋ āĻ•āĻĨāĻž āĻŦāϞāϤ⧇ āĻ•āĻŋ, āϝ⧇āϏāĻŦ āϏāĻŋāύ⧇āĻŽāĻž āĻļ⧁āϰ⧁ āĻĨ⧇āϕ⧇āχ āχāĻšā§āϛ⧇āĻŽāϤ āĻĒā§āϰāϚāĻžāϰ āĻĒāĻžā§Ÿ āφāĻŽāĻžāϰ āĻāĻ•āϟ⧁ āϏāĻ¨ā§āĻĻ⧇āĻš āϚāϞ⧇ āφāϏ⧇ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻžāϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇āĨ¤ āĻŽāĻžāύ⧇

Film Review: Tanu Weds Manu Returns

āĻāĻ• āĻ•āĻĨāĻžā§Ÿ, āĻĒā§āϰāϚāĻŖā§āĻĄāϰāĻ•āĻŽā§‡āϰ over rated āϏāĻŋāύ⧇āĻŽāĻžāĨ¤ āϏāĻ•āĻžāϞ⧇ Times Of India āĻĻ⧇āϖ⧇āĻ›āĻŋāϞāĻžāĻŽ ā§Ē.ā§Ģ/ā§Ģ āĻĻāĻŋā§Ÿā§‡āϛ⧇, āĻšāĻŋāĻ¨ā§āĻĻ⧁āĻ¸ā§āϤāĻžāύ āϟāĻžāχāĻŽāϏ āϤ⧋ āφāϰāĻ“ āĻāĻ—āĻŋā§Ÿā§‡ āĻŦāϞāϛ⧇ ‘A milestone you can’t miss’.

Museum of Storytelling

Editor’s Note: There is one problem in knowing Prof Aloke Kumar. He like a conjurer brings out brilliant ideas from thin air, and makes

Film Review: Nirbaak

āϝ⧇āĻŽāύ āύāĻžāĻŽ āϤ⧇āĻŽāύāχ effect. āĻāϟāĻžāϕ⧇āχ āĻŦā§‹āϧāĻšā§Ÿ āĻŦāϞ⧇ Induction Effect. āύāĻŋāĻ°ā§āĻŦāĻžāĻ• āĻĻ⧇āϖ⧇ āφāĻŽāĻŋāĻ“ āĻĻ⧇āĻ–āϞāĻžāĻŽ āĻŦāĻžāĻ•āϰ⧂āĻĻā§āϧ āĻšā§Ÿā§‡ āϗ⧇āĻ›āĻŋāĨ¤ Bore āĻšā§Ÿā§‡āĨ¤ āĻŽā§‹āϟ āϚāĻžāϰāĻŸā§‡ āĻ—āĻ˛ā§āĻĒāĨ¤ āϏāĻŦ āĻ—āĻ˛ā§āĻĒ⧇āχ āĻāĻ•āϜāύ

Film Review: Bombay Velvet

āĻĢāĻŋāĻ˛ā§āĻŽ āϏāĻŽāĻžāϞ⧋āϚāύāĻž: āĻŦāĻŽā§āĻŦ⧇ āϭ⧇āϞāϭ⧇āϟ āϏāĻ¤ā§āϝāĻŋ āĻ•āĻĨāĻž āĻŦāϞāϤ⧇ āĻ•āĻŋ, āϏāĻŋāύ⧇āĻŽāĻžāĻšāϞ⧇ āĻĸā§‹āĻ•āĻžāϰ āφāϗ⧇āϰ āĻŽā§āĻšā§‚āĻ°ā§āϤ āĻĒāĻ°ā§āϝāĻ¨ā§āϤāĻ“ āĻāĻ•āϟ⧁ āϖ⧁āρāϤāϖ⧁āρāϤāĻžāύāĻŋ āĻ›āĻŋāϞ āĻŽāύ⧇, āĻ•āĻŋ āϜāĻžāύāĻŋ ā§Šā§Ļā§Ļ āϟāĻžāĻ•āĻžāϰ āϟāĻŋāĻ•āĻŋāϟāϟāĻž āϜāϞ⧇ āĻ­āĻžāϏāĻžāϞāĻžāĻŽ

Film Review: Kadambari

‘āĻ•āĻžāĻĻāĻŽā§āĻŦāĻ°ā§€â€™ āύāĻŋā§Ÿā§‡ āĻŦ⧇āĻļ āĻ•āĻŋāϛ⧁āϟāĻž āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž āĻ›āĻŋāϞāĨ¤ āĻ•āĻ™ā§āĻ•āύāĻž āϏ⧇āύāĻļāĻ°ā§āĻŽāĻž āϤāĻžāρāϰ āĻĒā§āϰāĻĨāĻŽ āĻ›āĻŦāĻŋ ‘āϤāĻŋāϤāϞāĻŋ’ āĻĨ⧇āϕ⧇āχ āĻŦ⧁āĻāĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ āĻ­ā§€āώāĻŖāϰāĻ•āĻŽ āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āĻ…āĻ­āĻŋāύ⧟ āĻ•āĻžāϕ⧇ āĻŦāϞ⧇āĨ¤ āĻāĻ–āĻžāύ⧇āĻ“ āϤāĻŋāύāĻŋ āĻŦā§āϝāϤāĻŋāĻ•ā§āϰāĻŽ āύāύāĨ¤

Pulling off the Impossible: Making of Pather Panchali

The story of making of Pather Panchali, one of world’s cinema's masterpieces is itself a story which can well become a film script. A